老人與海英文讀后感
老人與海英文讀后感(1):
It's long long ago， maybe before I can read english books.(lz13) I don't remember which movie edition I had seen. But I was impressed by the music， the scenery and the costume. I was very favor of a section of music in its balls. It's
pretty brisk， liked a wonderful song of a bird. Regarding to the characters， I liked Elizabeth， the heroine，though I didn't think she's beautiful. But she's smart. However， I didn't pay much attention to the plot. I thought it's so long that it made me impatient and bored. By now， I haven't read the whole story in English or its Chinese version， either. I owe it to my prejudice.
In fact， I didn't understand the story at that time. I didn't know why it called Pride and Prejudice. Of course someone was pride， but I didn't find where' s the prejudice. I thought it's normal， the way people treated each other in that. I considered prejudice would be very disgusting.
老人與海英文讀后感(2):
老人與海讀后感英文版
When I was a middle school student， I’ve finished this book in Chinese.But when I read it in English，I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least， for my part， that is true.
Firstly，I would like to review some information about this book.Such as the background，major characters and the topic of it.
The Old Man and the Sea is a story by Ernest Hemingway， written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works， it centers upon Santiago， an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.
The Old Man and the Sea served to reinvigorate Hemingway's literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers' confidence in Hemingway's capability as an author. Its publisher， Scribner's， on an early dust jacket， called the novella a "new classic，" and many critics favorably pared it with such works as William Faulkner's "The Bear" and Herman Melville's Moby-Dick.
This book gives me a deep impression especially the description about the man’s braveness and persistence.
In this book， in order to suggest the profundity of the old man’s sacrifice and the glory that derives from it， Hemingway purposefully likens Santiago to Christ， who， according to Christian theology， gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiago’s palms are first cut by his fishing line， the reader cannot help but think of Christ suffering his stigmata. Later， when the sharks arrive， Hemingway portrays the old man as a crucified martyr， saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore， the image of the old man struggling up the hill with his mast across his shoulders recalls Christ’s march toward Calvary. Even the position in which Santiago collapses on his bed—face down with his arms out straight and the palms of his hands up—brings to mind the image of Christ suffering on the cross. Hemingway empl
oys these images in the final pages of the novella in order to link Santiago to Christ， who exemplified transcendence by turning loss into gain， defeat into triumph， and even death into renewed life.
The major characters in this book are also vivid and lively.
Santiago?，the old man of the novella’s title， Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise， he has been unable to catch a fish for eighty-four days. He is humble， yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures， and of his craft， is unparalleled and helps him preserve a sense of hope regardless of circumstance.
The marlin?，Santiago hooks the marlin， which we learn at the end of the novella measures eighteen feet， on the first afternoon of his fishing expedition. Manolin?，a boy presumably in his adolescence， Manolin is Santiago’s apprentice and devoted attendant. The old man first took him out on a boat when he was merely five years old. Due to Santiago’s recent bad luck， Manolin’s parents have forced the boy to go out on a different fishing boat. Manolin， however， still cares deeply for the old man， to whom he continues to look as a mentor.
Joe DiMaggio， although DiMaggio never appears in the novel， he plays a significant role nonetheless. Santiago worships him as a model of strength and mitment， and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ?，Perico， the reader assumes， owns the bodega in Santiago’s village. He never appears in the novel， but he serves an important role in the fisherman’s life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago.
Martin，like Perico， Martin， a café owner in Santiago’s village， does not appear in the story. The reader learns of him through Manolin， who often goes to Martin for Santiago’s supper. As the old man says， Martin is a man of frequent kindness who deserves to be repaid.
From the very first paragraph， Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. Almost as a reminder of Santiago’s struggle， the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin， tying his record of eighty-seven days after a brutal three-day fight， and he continues to ward off sharks from stealing his prey， even though he knows the battle is useless.
Because Santiago is pitted against the creatures of the sea， some readers choose to view the tale as a chronicle of man’s battle against the natural world， but the novella is， more accurately， the story of man’s place within nature. Both Santiago and the marlin display qualities of pride， honor， and bravery， and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore， where it will inevitably meet the hawk， the world is filled with predators， and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” In Hemingway’s portrait of the world， death is inevitable， but the best men （and animals） will nonetheless refuse to give in to its power. Accordingly， man and fish will struggle to the death， just as hungry sharks will lay waste to an old man’s trophy catc
h.
The novel suggests that it is possible to transcend this natural law. In fact， the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Indeed， a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight， just as he once found “the great negro of Cienfuegos” worthy. HSantiago， though destroyed at the end of the novella， is never defeated. Instead， he emerges as a hero. Santiago’s struggle does not enable him to change man’s place in the world. Rather， it enables him to meet his most dignified destiny.
While it is certainly true that Santiago’s eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman， and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster， Hemingway does not condemn his protagonist for being full of pride. On the contrary， Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin largely out of pride， and because his capture of the marlin leads in turn to his heroic transcendence of defeat， pride bees the source of Santiago’s greatest strength. Without a ferocious sense of pride， that battle would never have been fought， or more likely， it would have been abandoned before the end.
Santiago’s pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel， no matter how baleful his circumstances bee， the old man exhibits an unflagging determination to catch the marlin and bring it to shore. When the first shark arrives， Santiago’s resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact， his moment of glory， like the marlin’s meat， would have been short-lived. The glory and honor Santiago accrues es not from his battle itself but from his pride and determination to fight.
Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition， the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin， and the third takes place at the very end of the book. In fact， the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth， the dream suggests the circular nature of life. Additionally， because Santiago imagines the lions， fierce predators， playing， his dream suggests a harmony between the opposing forces—life and death， love and hate， destruction and regeneration—of nature.
This book gives me courage of conquering all kinds of difficulties .And I have the belief that the most beautiful thing is the process that we make our best to achieve our dream，and never say give up .
老人與海英文讀后感(3):
the Old Man and the Sea is one of Hemingway's most enduring works and may very well bee one of the true classics of this generation. It played a GREat part in his winning the Pulizer Prize in 1953 and the 1954 Novel Prize for Literature and confirmed his power and presence in the literary world. Hemingway is also one of my favorite writers. Besides The Old Man And the Sea， I have read some of his other works， such as The Sun Also Rises， A Farewell to Arms and The Snow of Kilimanijaro. But The Old Man and the Sea is the one that left the deepest impression on me.
I first read this book when I was in my fifteens. And now I remember it just as well as if I had read it yesterday.
Pride and Prejudice is a chefdoeuvre.
My first impression of this story was from screen.
老人與海英文讀后感(4):
I have read many books， which I learned a lot of knowledge， let me know a lot of truth in life， including a book， let me experience a deep， it is a famous writer Ernest Hemingway wrote， "Hits." 我讀過許多書，它們讓我學到了許多知識，也讓我懂得了許多做人的道理，其中有一本書，讓我體會很深，它就是著名作家海明威寫的《老人與�！贰�
"Hits" This book talked about such a story， old fisherman Santiago de Cuba consecutive 84 days did not catch the fish， was another loser as a fisherman， but he was persistent， and finally caught a big marlin large Marlins his boat dragged on for three days at sea， exhausted， was tied to the boat he was killed on one side， and then Return Journey repeatedly been shark attacks， he has exhausted all means to counterattack. Back to Hong Kong only the head and a fish tail spine. Although the fish have bitten gone， but what can not destroy the will of his bravery. This book reveals to us a truth: people are not born to fail， and a person can be destroyed， but can not be defeated. 《老人與�！愤@本書講了這么一個故事，古巴老漁夫圣地亞哥連續(xù)八十四天沒捕到魚，被別的漁夫看做失敗者，但是他堅持不懈，最后釣到了1條大馬林魚，大馬林魚將他的小船在海上拖了三天才筋疲力盡，被他殺死了綁在小船的一邊，再歸程中一再遭到鯊魚的襲擊，他用盡了一切手段來反擊�；馗蹠r只剩魚頭魚尾和1條脊骨。盡管魚肉都被咬去了，但什么也無法摧殘他的英
勇意志。這本書向咱們揭示了這樣一個真理：人不是為了失敗而生的，一個人能夠被毀滅，但不能被打敗。
Before I do anything as long as there is one point does not work well， they will retreat， and sometimes even say a few words dejected to say. In learning， I have a few tests as long as there is not very good there will be no confidence that their getting good grades. "Hits"， the hero fighting with the shark， shark harpoon was taken away， he put the knife blade tied to tie chaos. Knife broke， he used truncheons. Batons have lost， and he used the rudder to e to play. This book reveals the truth， not to explain a man no matter what my greatest fear is the lack of confidence. Confidence is like a motor car， is a human motivation. If you do one thing with the confidence， you mean half the battle. The hero in this book are full of confidence and perseverance， not exactly what I indispensable? 以前，我做什么事只要有一點不順利，就會退縮，有時還會說上幾句垂頭喪氣的話。在領悟上，我只要有幾次考試不是很理想就沒有信心，認為自我考不到好成績�！独先伺c�！分校魅斯c鯊魚搏斗，魚叉被鯊魚帶走了，他把小刀綁在槳把上
亂扎。刀子折斷了，他用短棍。短棍也丟掉了，他用舵把來打。這本書揭示出的真理，不就說明了人無論怎樣，最怕的就是沒有信心。信心就好比是汽車的馬達，是人前進的動力。如果你做一件事有了信心，你就等于成功了一半。這本書中主人公充滿信心、鍥而不舍的精神，不正是我所缺少的嗎？
Since reading this book， I know that his lack of learning is no longer due to a loss of confidence in the two do not go well， but more poorly in an exam， the more to be a good test. In the final exam the day， the morning two homework results， I do not have a certain class of students is good， but I admit defeat， but confidence that the determination to fight a turnaround. Language examinations in the afternoon， I have done every Road topics are especially careful. Sure enough， I was class of the first language examinations， total score， I am also a first. 自從讀了這本書之后，我知道了自我的不足，領悟上不再正因一兩次不順利而失去信心，而是越考不好，就越要考好。在期末考試的那一天，上午的兩門功課成績，我沒有班里的某一個同學好，但是我并不服輸，反而信心倍增，決心打一個翻身仗。下午的語文考試，我做每一道題目都格外仔細。果然，我語文考試是班里的第一名，總成績上，我也是第一名。
In the future， I do not care what difficulties we encountered， we must face with confidence， persist in the end， and never retreat. I want to thank the book， for which I have learned so much， thank it for me to understand so many reasons， for it let me know his own shortings and correct their shortings in time， so I became a socially useful people. 今后，我不管遇到什么困難，都要信心十足地去應對，堅持到底，決不退縮。我要感謝書，感謝它讓我學到了那么多知識，感謝它讓我懂得了那么多道理，感謝它讓我知道自我的不足，及時改正自我的缺點，使我成為一個對社會有用的人。
"Hits"， the lonely old fisherman Santiago has been not only be tough guy， his spiritual values embodied in the body is entirely the spirit of the ancient Greek tragedy， a modern echo. In the "Hits"， the Hemingway finally for his beloved tough guy to find the soul， this soul is everlasting eternal values of mankind. Thus， in the "Hits"， the tough-guy character of Santiago's fortitude has bee the novel's surface. By Santiago tough-guy character to praise the eternal values of mankind， became the real theme of the novel. "Hits" and demonstrated what eternal value?
《老人與海》中，孤獨的老漁夫桑提亞哥已經不僅僅僅是條硬漢，他身上所體現(xiàn)的精神價值，完全是古希臘杯具精神的現(xiàn)代回響。在《老人與�！分校Ｃ魍詈鬄樗姁鄣挠矟h找到了靈魂，這靈魂就是人類亙古不變的永恒價值。因此，在《老人與海》中，硬漢桑提亞哥的剛毅性格，已經成為小說的表面。透過桑提亞哥硬漢性格來禮贊人類的永恒價值，才成為小說的真正主題�！独先伺c海》中展現(xiàn)了哪些永恒的價值呢？
The first is people's self-confidence. Santiago consecutive 84 days at sea， and did not catch a fish. However， the "pair of eyes， ah， like water， like blue， is happy， not depressed." Originally to follow Santiago on fishing expeditions children， spoke of his father called him to the other boat and said， : "He did not much self-confidence." "Yes." the old man said， "But we have， you say is not it?" 首先就是人的自信。 桑提亞哥連續(xù)出海八十四天了，1條魚也沒捕到。但是，“那雙眼睛啊，像海水一樣藍，是愉快的，毫不沮喪的。”原先跟隨桑提亞哥出海捕魚的小孩，談到他父親把他叫到別的船上去，說道：“他沒多大的自信。”“是的。”老頭兒說，“但是咱們有，你說是不是？” Santiago in self-confidence is absolute self-confidence， is not to environmental change and changes in self-confidence， it does not pare with others， self-confidence. In Santiago's philosophy of existence， even when confronted with a pole of the unlucky people can only self-confidence. 桑提亞哥的自信是絕對自信，是不以環(huán)境變化而變化的自信，是不用與他
人比較的自信。在桑提亞哥的生存哲學中，即使遭遇到了極點的背運，人也只能自信。 People alive， the only way to determine the necessity， that is， to death. In addition， there is no bound to what can rely on. Since the person is alive by chance， then the courage to support human life， the only confident. If we lose self-confidence， in the continuing unlucky so many days after the Santiago there is the courage and perseverance on fishing expeditions do? Therefore， people live to be confident， not self-confidence is for human consumption can not afford luxury. It is precisely because Santiago had an absolute self-confidence， he was called away to the children to express a plete tolerance and understanding. Here， Hemingway has demonstrated the link between self-confidence and tolerance. "Hits" in the main space， describing the lonely old fisherman Santiago， in the open sea and in large marlin and a variety of sharks entangled， fought for three days and three nights experience. By Hemingway fullest descri
ption， we felt the Santiago desperate struggle with the fate of the heroic and noble. Last drag home for the elderly only a 18 feet-long fish skeleton， the only plete skeleton is the head and beautiful fish tail. 人活著，唯一能確定的必然，就是走向死亡。除此之外，沒有任何必然的東西能夠依靠。既然人是靠偶然活著的，那么支撐人生存勇氣的，就只有自信了。如果喪失了自信，在持續(xù)那么多天的背運之后，桑提亞哥還有勇氣和毅力出海捕魚嗎？因此人活著就務必自信，不自信是人消費不起的奢侈品。正正因桑提亞哥有著絕對自信，他對小孩被叫走，表示了完全的寬容和明白。在那里，海明威展現(xiàn)了自信與寬容之間的聯(lián)系�！独先伺c�！返闹饕�，是描述孤獨的老漁夫桑提亞哥，在茫茫大海上和大馬林魚和各種鯊魚糾纏、搏斗了三天三夜的經歷。透過海明威淋漓盡致的描述，咱們充分感受到了桑提亞哥與命運作殊死抗爭的悲壯與崇高。老人最后拖回家的只是一副十八英尺長的魚的骨架，骨架上唯一完整的是魚頭和漂亮的魚尾巴。 From the physical point of view， elderly people fought for three days and three nights a result of failure; but the human spirit， from the person's self-confi
dence self-esteem， courage and destiny from the human to make every effort to struggle for victory Santiago . 從物質上來說，老人搏斗了三天三夜的結果是失敗了；但從人的精神、從人的自信自尊，從人勇于和命運作竭盡全力的抗爭來說，桑提亞哥取得了勝利。 After all， the true victory can only be a triumph of the spirit. No matter who made much material success， they can not win our respect and thanks. Only the spirit and the spirit of victory， it moves us， that we have to follow the elderly and children， for his tragic tears. 說到底，人的真正勝利也只能是精神的勝利。人在物質上無論取得多大的成就，都不能贏得咱們崇高的敬意。而只有精神和氣魄的勝利，才使咱們感動，才使咱們和追隨老人的孩子一樣，為他的悲壯落淚。
【老人與海英文讀后感】相關文章：
老人與海英文讀后感（精選15篇）06-16
老人與海讀書心得 讀書心得《老人與�！�09-20
《老人與海鷗》讀后感10-19
老人與海讀后感07-28
《老人與�！纷x后感07-12
《老人與�！纷x后感05-30
《老人與海》的讀后感10-06
《老人與海鷗》讀后感10-07
《老人與�！纷x后感10-07
《老人與�！纷x后感10-06